THE IDEA
The property,
always in motion.
For some properties, In Motion follows a full cinematic production — sustaining the visual identity that's been established. For others, it begins here: building a social presence from the ground up, one considered set at a time. Either way, the work is the same. Social films and social stills, captured on site, graded to the Zaykai standard, and released in a steady rhythm with the feed.
A GLIMPSE
What a set looks like
A few moments from a single visit — arrival, light, water, the quiet detail. Each clip below loops the way it would in the feed.
THE SETS​​​
Chosen by quantity
Each set begins with time on site — the window needed to compose a varied, considered collection rather than a single moment. More social films, more time, a richer set
I — THE SET
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4 Social Films
+ 10 SOCIAL STILLS
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A first cadence.
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A 2-hour session on site.
Enough to establish a feed presence and find the property's visual voice in motion.
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FROM
$1,200USD
II — THE SERIES
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8 Social Films
+ 20 SOCIAL STILLS
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Real Momentum.
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A half-day on site.
A broader range across spaces and light - the set most properties build their rhythm around.
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FROM
$1,800USD
III — THE RHYTHM
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12 Social Films
+ 30 SOCIAL STILLS
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A full presence.
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A full day, or an on-site stay.
The widest range - captured across the full arc of a day, from first light to evening.
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FROM
$2,900USD
Each set is delivered within two weeks. The Rhythm arrives in two releases — the first within two weeks, the remainder across the two that follow — so the property always has fresh work in hand. Ongoing monthly rhythms are captured in a single visit, then released steadily across the weeks.
DIRECTION
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Ground and aerial capture — arrivals, atmosphere, scale, quiet detail. Composed for the vertical format, not grabbed.
FINISH
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The Zaykai tonal grade applied to every film and still in the set — consistent with the cinematic work. Delivered ready to publish.
RHYTHM
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Available as a single set or an ongoing monthly cadence at a preferred rate. Production clients hold a standing-client rate.
COLLABORATION
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One piece from each set may be shared as a collaborative post — by mutual agreement — extending reach across both audiences.
ON LOCATION
How a visit works
Time on site is part of the craft. A small set needs a focused two-hour window; a fuller set, a half or full day. The hours are chosen for the light — first light, golden hour, the calm of evening — not for the clock.
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For properties beyond the immediate region, an on-property stay is part of how the work is made. Staying allows capture across the full arc of a day and the unhurried pace that gives each social film its ease — the difference between a set that feels lived-in and one that feels rushed. Hosting is arranged with the property, and folded into the plan from the start
Working With the Best Clients and Partners
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