THE IDEA
The property,
always in motion.
In Motion is not a smaller film — it is a different kind of work. Where a cinematic production gives a property its identity, In Motion keeps that identity present: short, vertical films and stills, made for the way guests actually discover a place now. Not one piece, but a rhythm — captured in a single visit, released across the weeks that follow.
A GLIMPSE
What a set looks like
A few moments from a single visit — arrival, light, water, the quiet detail. Each clip below loops the way it would in the feed.
THE SETS​​​
Chosen by cadence
In Motion is never a single film — a single piece is a moment, and a moment is not a presence. Each set is a rhythm: enough range, captured in one visit, to keep a property alive across the weeks that follow. The larger the set, the longer that rhythm holds.
I — THE SPARK
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2 Social Films
+ 10 SOCIAL STILLS
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A first taste.
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One hour on site.
The lightest possible way to see what the property looks like in motion. A taste, not a rhythm.
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FROM
$800USD
II — THE SET
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4 Social Films
+ 20 SOCIAL STILLS
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A month of presence.
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Half a day on site.
Wider coverage across more locations and light — the raw range to select the strongest four films from, not just whatever a rushed hour allowed.
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FROM
$1,500USD
III — THE RHYTHM
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8 Social Films
+ 30 SOCIAL STILLS
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A full season.
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A full day, or an on-site stay.
Captured across the full arc of the light — first light through blue hour — for the widest range, released steadily. A property that never disappears between productions.
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FROM
$3,200USD
Each set is delivered within two weeks. The Rhythm arrives in two releases — the first within two weeks, the remainder across the two that follow — so the property always has fresh work in hand. Ongoing monthly rhythms are captured in a single visit, then released steadily across the weeks.
DIRECTION
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Ground and aerial capture — arrivals, atmosphere, scale, quiet detail. Composed for the vertical format, not grabbed.
FINISH
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The Zaykai tonal grade applied to every film and still in the set — consistent with the cinematic work. Delivered ready to publish.
RHYTHM
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Available as a single set or an ongoing monthly cadence at a preferred rate. Production clients hold a standing-client rate.
COLLABORATION
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One piece from each set may be shared as a collaborative post — by mutual agreement — extending reach across both audiences.
ON LOCATION
How a visit works
Time on site is part of the craft. A small set needs a focused two-hour window; a fuller set, a half or full day. The hours are chosen for the light — first light, golden hour, the calm of evening — not for the clock.
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For properties beyond the immediate region, an on-property stay is part of how the work is made. Staying allows capture across the full arc of a day and the unhurried pace that gives each social film its ease — the difference between a set that feels lived-in and one that feels rushed. Hosting is arranged with the property, and folded into the plan from the start
Working With the Best Clients and Partners
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